aston origin frequency response

If you want to attenuate the low frequencies, you have selection of 3 different high-pass filters, which can roll off any unwanted rumbling from recordings. Aston Microphones Origin Frequency Chart: Cardioid. - Frequency Response: 20 Hz - 20 kHz (+/-3 dB) - Equivalent Noise Level: 18dB A-Weighted - Sensitivity at 1 kHz into 1 kohm: 23.7 mV/Pa - Maximum SPL for THD 0.5%: 127 dB - Signal-to-Noise Ratio (rel. Still, if crossthreading becomes a problem, Aston will replace the bottom plate of the mic at no charge. All mics sound slightly different from each other, even when the specs look similar, so much depends on your personal interpretation of what constitutes a ‘true’ or artistically satisfying sound. The frequency response is from 20 Hz to 20,000 Hz, with a smooth yet prominent presence peak, which is what gives it that “sparkle” that makes many of the modern rap vocals sound crisp. In lieu of a traditional grille or headbasket, the Aston Origin - as well as its sister mic, the Spirit - has a stainless steel flexible mesh-like fabric as a pop filter, surrounded by a “wave spring”, also made from stainless steel. The main barrel of the body is made from stainless steel with a ‘tumbled’ finish and laser-engraved legending, lending it a ‘lived-in’ look. Great care has been taken to ensure accuracy in the preparation of this article but neither Sound On Sound Limited nor the publishers can be held responsible for its contents. To some degree this is to be expected, of course, and many other mics behave similarly, though for male vocals you may be better off recording without the filter and then applying one in software with a slightly lower cut-off frequency, as the in-built filter thins out the low end quite significantly. The mic has a large-diaphragm, center-terminated capsule. Please let us know! Alternatives The Aston Spirit expands on the Origin … Mastering Essentials Part 4 - Mastering EQ: Balance, Don’t Match. The wave spring, besides being visually distinctive, is Aston’s solution to microphone grills that get dented and deformed on impact. On acoustic guitar, with the mic placed about a foot from the 12th fret, angled at 90 degrees to the neck, the V1 voicing sounds huge. Re: Why does Liam Gallagher's vocals sound shit? There’s a gradual low rolloff starting at 120 Hz, and a slight boost across the high-mids that peaks at 12 kHz before settling back to 0 dB at 20 kHz. The capsule is made in China, selected and tested in England. Very affordable — and it comes with a free Rycote shockmount for the first few months. The Aston Origin is a cardioid-pattern microphone with a one-inch diaphragm diameter and has a -10dB switch and an 80Hz LF Roll-off switch. Aston’s range currently comprises two models — the Origin, reviewed here, and the Spirit — both of which have exactly the same physical construction, other than that the multi-pattern Spirit has a longer body. Frequency Response; 20Hz – 20kHz (+/-3dB) Equivalent Noise Level; 18dB A-Weighted Sensitivity at 1kHz into 1kohm; 23.7mV/Pa Pad Switch; -10dB Low-Cut Filter; 80Hz Cardioid, Figure-of-eight Pad switches: -20dB/ -10dB/0dB Low cut filter: 80 Hz 48v phantom power: (+/- 4v) required for operation. The capsule is made in China, selected and tested in England. It Sounds So Warm and Intimate At a glance, the tech description of the Aston Microphones Origin show it has a frequency response of 20Hz – 20kHz (+/- 3dB), which on paper is very impressive. During testing, Aston claims the capsules have an approximately 80% rejection rate. Inside the spring structure is a fine stainless-steel mesh that is reasonably effective in reducing popping, and which can be removed for cleaning when necessary by removing the cast top plate of the microphone, which is held in place by two cap-head bolts. Top-of-the-line electronic components, such as the WIMA capacitors often found in boutique models, are used in the design, and the housing is also unusual in that the conventional basket has been replaced by a stainless-steel ‘spring’ cage structure that is not entirely rigid. The honeycomb-shaped wave spring is designed to be flexible, deforming on impact but reforming to its original shape. The boxes are sturdy enough to be reused for storage and certainly take up a lot less shelf space than all those camera cases. While not departing too far from convention other than in its basket design, the Origin manages to deliver a clean and solid sound that is slightly flattering but without adding undue harshness. 94dB SPL): 76 dB A-Weighted - Pad Switch: -10 dB - Low-Cut Filter: 80 Hz - Power: 48 Volt Phantom power (+/- 4 Volts) is required for operation The Aston Origin is a large diaphragm, fixed-cardioid, transformerless condenser microphone, designed and assembled in the UK. Though the mic can be used with a shockmount (and a rather fine Rycote shockmount will be included free for the first few months of issue), the internal capsule suspension is effective enough that the mic can be used screwed directly to a mic stand in many situations. What is a "hybrid" audio interface anyway? Unlike almost every other affordable studio microphone company, Aston design assemble and test all their mics here in the UK. A multiple award-winning mix of beauty & British engineering excellence. First Look: Pro Tools | Carbon. It features transformerless electronics and operates from standard 48 Volt phantom power (±4V) offering a frequency response of 20Hz to 20kHz (±3dB). Aston Spirit Mic Frequency Response & Modes Explained The frequency response is 20Hz to 20kHz and there’s a little presence hump which is centred around 10kHz in both the Cardioid and the Omni-directional modes but not in the figure of eight. Sonically, as indicated by the frequency chart, the mic has a slight rolloff below 100Hz, a flat low mid-range, and a gentle rise in the high end, starting at 4kHz and rising to +5db at 10kHz. Since many of the panel members were engineers and producers from the UK audio industry, it might be inferred that the resulting Aston microphones have something of a British sonic character. Open chords ring out clearly and carry immense power, although barre chords and finger-picking-style playing starts to feel a little muted in comparison. Despite the zinc being a soft metal and prone to crossthreading, the design of the threads makes that unlikely. On the bottom of the mic body is a zinc plate with integral threads, designed for direct stand mounting with no additional shock mount needed. A discrete Aston logo denotes the hot side of the mic, which features a transformer-balanced output and requires standard 48V phantom power (±4V) to run. Web site designed & maintained by PB Associates & SOS. The views expressed are those of the contributors and not necessarily those of the publishers. This pretty much covers the audible spectrum of what we can hear. Specifications The frequency response is 20Hz-20kHz (±3dB), and there’s a very gentle presence hump centred at around 10kHz in both cardioid and omni modes to add a little airy detail to the sound. It is sold in a padded cardboard box.

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