It sounds good on everything, has a stepped EQ (good for beginners) and legendary status. It’s a mainstay on my drum buss and other sub-aux tracks. No longer is re-amping just for guitarists. The API has stepped knobs, which makes EQ selection easier (or more limiting) whereas the SSL has continuous knobs. It’s been used on countless hit records. Or put it over drums as an overhead stereo pair. It’s great at preventing clipping, yet very transparent, and has the Inflator’s Enhance feature built in. It’s a clean EQ that doesn’t add coloration. Studer A800 If I had to choose just one plugin from UAD, this would be it. u-he Diva. The SSL is revered in the Hip-Hop world and has been used to mix countless hit records of all styles. Ian Vargo is a Producer, Mixer and Audio Professor based in Los Angeles. If you haven’t tried it out yet, make sure you do as it will give a taste of what the Marhsall plugins are like! (If you’re a huge U2 fan however, you might opt for the Korg SD-3000 Digital Delay, as that was part of The Edge’s sound.). If I had to choose just one plugin from UAD, this would be it. New UAD Plugins: Moog Multimode Filters + OTO BISCUIT + bx_subsynth, VLOG #1: Matthew Weiss, Taylor Swift & Black Box Analog Design HG-2 Plugin. The original hardware unit is one of the most widely used equalizers in mastering. Ian Vargo’s Top 10 UAD Plugins (+ Mix Tips) 1. The first choice is the Ampeg SVT-VR. Manley Massive Passive. We just sent a download link to your inbox. This is the toughest category as it seems to be the holy wars of recording/mixing. It can also really warm up a master buss and is excellent on lead vocals and close-miked drums. Neve Preamp. If you want more of a modern metal sound, it can do that too. Harrison 32C. Tip: These compressors have their own unique tonal characteristics in addition to being adept at managing dynamic range. The API is known for being punchy on drums, and good for Rock/Metal style vocals. Try doing something drastic like adding 12dB somewhere between 1 kHz – 6 kHz with the plugin’s EQ engaged for any track you want to really stand out. It can be useful for thickening guitar and vocals, a bit like a doubler. It has more options than you’d ever want to know about when it comes to recording on tape. The real value though is all the models it includes. The dbx 160 is a must have compressor for drums, but the API is also a VCA that handles drums really well, so pick the API first. Definitely put this one on the mix bus. Download this 40-minute workshop by Matthew Weiss, now for FREE! If you are recording a lot of rap and hip-hop, then AutoTune would probably be essential. Another emulation of a classic unit, this is one of the only reverb plugins that “feels” like a piece of hardware. Again, we’re split on the best UAD plugins for bass. Plus, more counterintuitive ways to get fuller yet controlled low-end in your mix. We can’t pick just one Channel Strip and own all of them, but if we had to pick a default as probably the best UAD plugin for tracking, it would be the Neve 1073. If you’ve seen my video tutorials, you know I tend to mix with a lot of UAD plugins. The knee can be subtle to aggressive, and it has their proprietary Thrust detector to punch up the low end. Randy Rhoads also used the JCM-800 variant, so if you want that early Ozzy sound, definitely give this a try. We can’t pick just one Channel Strip and own all of them, but if we had to pick a default as probably the best UAD plugin for tracking, it would be the Neve 1073. (On an 808, the Vertigo may be the best UAD plugin for hip hop.) The Maag EQ4 is worth mentioning since its Air band is legendary. It does it well, and would be super valuable for psychedelic or prog rock. We hope that you found our list of the best UAD plugins helpful in your decision making process. The first section is an optical compressor akin to an LA-2A, which can be bypassed. Try it on electric guitars, with a couple dB of gain (anywhere from 1 – 3 kHz) for bite without the fatiguing quality that other plugins can sometimes add. A great Swiss Army Knife equalizer. One caveat is that it’s a little on the demanding side as far as DSP resources. If you’re interested in the sounds of Stranger Things, the Galaxy Tape Echo is used all over the soundtrack. Another way to get the Saturation if you don’t want the Inflator, is the Vertigo VSM-3. Neve 33609 Compressor/Limiter. The runner up would be the Lexicon 224. If you don’t already have a limiter, then we recommend the Sonnox Limiter. Here’s a roundup of my ten go-to plugins as well as some mix tips for each. Amazing mic preamplifier, that reproduces thick sound and provides rich harmonics. Soundtoys Little Plate Review – Easiest Plate on the Planet, Sonnox Inflator – How to Make Your Music Loud. (Once you realize it’s two compressors in one, the cost makes a bit more sense.) He has worked on numerous major label and independent records. (Al Schmitt is probably the most famous user of these.) That way the effect gets applied to every track via the entire mix. Discover how to make your kick and bass hit hard by cutting (NOT boosting) the right frequencies! Also, useful to make hats or claps standout in EDM or Hip-Hop.
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