fender geddy lee jazz bass discontinued

White pickup covers and a pickguard/control plate were introduced the same year. The Highway One Jazz Bass is a moderately priced American-made bass introduced in 2003, featuring a Leo Quan BadAss II bridge with grooved saddles, Posiflex graphite neck support rods, 1970s styling and a Greasebucket tone circuit since 2006. Copyright ©2020. The bridge pickup gives a tone with more treble, while the neck pickup will yield a rounder sound. At first necks with rosewood fretboards received pearloid blocks/binding and maple fretboard necks received black. Other features include Hipshot vintage lightweight tuners, "Strong Arm" string retainer bar for the A and low B strings, and Fender's High Mass Vintage (HMV) bridge. In 1986 Fender introduced the Japanese-made Fender Performer Bass, also with micro-tilt neck, designed by John Page and intended to be an Elite version of the Jazz Bass; however, the radical styling was not popular and production ceased the same year. Bassists have loved playing and hearing the signature Geddy Lee Jazz Bass for years. The American Deluxe Jazz Bass (available in four-string fretted and fretless, five-string fretted and left-hand versions) featured two Samarium Cobalt Noiseless Jazz Bass pickups, designed by pickup designer Bill Lawrence. Other refinements include a strings-through-body/top-load bridge, Posiflex graphite neck support rods, rolled fingerboard edges, highly detailed nut and fret work. Around the same time, Fender began using ash for most of the instrument bodies. Fender switched to pearloid blocks/binding on all necks in mid-to-late 1973. The Jaguar bass retains the slim Jazz neck, bi-pole pickups, Jazzmaster/Jaguar body design and the trademark Jazz Bass growl. All five-string Jazz basses came with pau ferro fretboard since 1990 (some US Deluxe models were also available with a plain maple neck option). [12], In July 2005, Fender introduced its first 24-fret bass since the Fender Performer Bass, the Fender Jazz Bass 24. Be the first to know about new products, featured content, exclusive offers and giveaways. Prior to the early 70's, most Jazz basses had bodies made of alder, except for those that were finished in a clear or("natural") finish - for those basses ash was nearly always the wood of choice. During 1965/66 the Jazz Bass received bound rosewood fingerboards with pearloid dot position inlays (which replaced the older "clay"-style of the early 1960s) and oval-shaped tuning machines. By the mid-1970's the combination of 4" pickup spacing and the use of heavier ash bodies with maple fingerboards combined to produce a notably brighter tone than that produced by Jazz basses from the 60's. A thicker "C" profile imparts a more substantial feel to the slim and comfortable J Bass® neck. While the Precision Bass was originally styled similarly to the Telecaster guitar, the Jazz Bass' styling was inspired by the Jazzmaster guitar, with which the Jazz shared its offset body and sculpted edges that differentiate it from other slab-style bass bodies.[3]. The U.S.A. Geddy Lee Jazz Bass is a unique instrument combining the features and specifications of Lee's three favorite basses—two Fender Custom Shop versions of his signature model and his original sleek '72 Jazz Bass—that Rush's revered bassist/vocalist has riffed away on before millions of devoted fans worldwide and on many mega-selling albums. I ordered a Fender Jazz Geddy Lee as I was looking for that passive Jazz bass sound but with a smaller neck, better bridge and pick ups. Lee's signature the back of the headstock commemorates the lasting legacy of one of rock 'n' roll's most versatile and technical bassists. [citation needed] The Jazz Bass 24 featured a sleek alder body, a 34"-scale length, modern "C" shaped maple neck with a two-octave rosewood fingerboard, abalone dot inlays, 24 medium-jumbo frets, Hipshot-licensed tuners, Fender/Gotoh High Mass top-loading bridge, two custom-wound Seymour Duncan SJB-3 Quarter Pound pickups, a passive/active push/pull volume knob and a 3-band active EQ with a "slap" mid-scoop switch. Despite this new feature, many stacked knob models were made until about 1962. Bound fingerboards with pearloid block inlays were added with the introduction of the American Deluxe Jazz Bass FMT & QMT in late 2001, featuring flamed or quilted maple tops and gold-plated hardware.

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