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Threshold: –4dB; Ratio: 3:1; Attack: <1 ms; Release: About 40 ms; Gain: Match the input level and output level. I once had a gospel style vocalist with a very big voice and a lot of range - when she hit the loud parts, it pushed the levels to somewhat uncomfortable levels. So, if the threshold is set to -10dB, it will compress anything louder than -10dB. I think the biggest thing is finding the correct mic for the particular singer. By using our site, you acknowledge that you have read and understand our Cookie Policy, Privacy Policy, and our Terms of Service. If so then of course it makes sense to use it. What exactly limits the signal frequency on transmission lines? Meaning of the Term "Heavy Metals" in CofA? on the other hand, for live sound, I almost always compress the bass. Your compressor’s release time will control how it shapes the tail ends of words and … Here are tricks for crafting better live vocals. Nice idea. The only exceptions I can think of will be around the words MP3, data, and mixdown. As with anything else, remember that these are just guidelines - every room, every gig, every setup is different, and what works for one combination may not work for another. bjohnston, nice informative reply...just wondering if you'd care to share any tips with regards to vocal mic technique in a live setting. Standard compressor settings for backing vocals. Add the compression on top of that and you've got a real mess. Depending on the playing style, you may get away with mild compression, but someone who goes from finger picking to slapping is going to need to have the compression turned way up. Multiband compression can be a powerful tool for vocals and a real lifesaver for live sound mixers. A lot of tweaking will be needed, and sometimes you may have to use completely different settings. How come it's actually Black with the advantage here? On the other hand, you are dealing amplification. A lot of guys just can't get used to in ears because of the obvious reasons. Can we omit "with" in the expression glow with (something)? Be careful if you're also using gates, you can trigger some strange sounding artifacts if you have the compression dialed up too high. Rap vocals Lives for gear. Part of being a great singer is using mic technique. Some pretty loose others really tight. I've been wondering how often live engineers use compression on lead vocals for your standard standard guitar/bass/drums band setup. Especially if your board, mic, wedges, outboard octave eq...etc... are semi pro type gear. Depending on the playing style, you may get away with mild compression, but someone who goes from finger picking to slapping is going to need to have the compression turned way up. How do I combine several instruments into one Line In, in live performance? I do a LOT of duty mixing FOH and live broadcasts, often I get stuck doing BOTH without extra pay. If, on the other hand you raise the level after compression, your point will be valid and there will likely be far more events close the maximum level. I have a choir, orchestra, and front vocalists. Anything else is going to really mess with your feedback to gain margins. Pelle ten Cate, 99% percent of the time compression will be mentioned on this site, it will refer to dynamic range compression. The threshold sets the height of the loudness ceiling. Threshold. Just a friendly reminder that political discussion, (including "offhand" and 'sideways' commenting) is. First set up the ratio 3:1 or 2:1. on the other hand, for live sound, I almost always compress the bass. Some of them have weird spikes. effects: You can do some interesting things by running effects into a compressed mix, but you can also destroy some subtle effects by forcing them up too much. To learn more, see our tips on writing great answers. If your a quiet band and the singing might be off mic a little then I would say -4 -6 thresh, 2:1 to 4:1 comp, and + 4 on the output. How to find individual probabilities of all numbers from a list? Now if you got some really good talent maybe then you can get more creative, but most singers don't have great mic technique. Should recorded lectures be provided for students when teaching a math course online? Why did mainframes have big conspicuous power-off buttons? If you compress the transients without raising the entire signal level afterwards then you may effectively guarantee no transients will trigger a feed back. Also, if you have issues keeping the vocal above everything else, compression can help keep you at the (high) levels you need without getting too loud. Ratio: 4:1–6:1. To subscribe to this RSS feed, copy and paste this URL into your RSS reader. These are great for sung vocals, but sound unnatural on spoken word recordings Here are tricks for crafting better live vocals. For a rehearsel space I would recommend to leave the comp off, especially if your into rock or anything not acoustic. Like anything else, you should use it if the situation warrants it. Sound Design Stack Exchange is a question and answer site for sound engineers, producers, editors, and enthusiasts. So, let’s go through the settings on a compressor one at a time and how to properly apply them to vocals. Compression helps mitigate that exaggeration. Could you define limited budget? I am desperate to find the name of this brick. Less is more you knowheh. In other words, use it if there's something specific you need it to do. We are talking about the idea of crompressing vox in the wedge for the practice space right? I say that because most guys I know that play in bands, myself included, don't travel around with Rat, Meyers, or Clair Brothers type monitor rigs. By clicking “Post Your Answer”, you agree to our terms of service, privacy policy and cookie policy. backing vocals will usually get grouped & compressed, if possible, but you can get away without it. Is compression on live vocals common? Stack Exchange network consists of 176 Q&A communities including Stack Overflow, the largest, most trusted online community for developers to learn, share their knowledge, and build their careers. Very little compression, and I rarely had a problem if it wasn't compressed. The move their mics back and forth from their faces. Mess around a little. Guitarists are bad about stepping away to play and stepping up to sing, and not exactly being up the mic before they start singing or backing away before their done. rev 2020.11.24.38066, The best answers are voted up and rise to the top, Sound Design Stack Exchange works best with JavaScript enabled, Start here for a quick overview of the site, Detailed answers to any questions you might have, Discuss the workings and policies of this site, Learn more about Stack Overflow the company, Learn more about hiring developers or posting ads with us, Just to be sure: are we talking about dynamic compression (e.g.

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