There's no pad, but a button on the end of the mic engages a 6dB/octave high-pass filter turning over at 283Hz, for taming proximity effect when used up close. Click here to login, The ability to reply to and create new discussions, Access to members-only giveaways & competitions, Interact with VIP industry experts in our guest Q&As, Access to members-only sub forum discussions, Get INSTANT ACCESS to the world's best private pro audio, Promote your eBay auctions and Reverb.com listings for free. It also allowed us to do some significant position and EQ adjustments via mic placement due to the tight polar pattern and the high-pass filter. Detroit has been quite the focus of this type of branding, but I have to say that the Splice folks did it right. The results were profound – big, authoritative low end without being overbearing, and a transient response that can only be described as flattering; present and dry without sounding dead at all. AEA KU5A vs. Beyer m160 When you buy products through links across our site, we may earn an affiliate commission. There's no pad, but a button on the end of the mic engages a 6dB/octave high-pass filter turning over at 283Hz, for taming proximity effect when used up close. First, I took the KU5A on the road with the Shigeto Live Ensemble. AEA KU5A vs. Sennheiser MD441 It's rare to find a mic that combines great sound quality and extended frequency response with good isolation, so when I heard the AEA KU5A was designed for a similar purpose I was excited to shoot them out. Beyerdynamic M160 vs. Coles 4038. Much to my delight that is exactly what happened. The band is playing mostly Zach's tunes, but the presentation is Ptah... era Alice Coltrane meets Eddie Henderson's Realization. This is a warm and smooth sounding mic with a surprising amount of detail for a ribbon. The M160 is an unusual ribbon microphone, in that it has a hypercardioid pickup pattern. Mic'ing saxophone live in a rock club can be a frustrating experience, and when you add pedals to the equation it can get pretty weird quickly. The prototype I initially received differed slightly aesthetically from the production model that arrived months later, but even so, you could see the physical resemblance to its inspiration, the RCA BK-5A [#65]. Just a friendly reminder that political discussion, (including "offhand" and 'sideways' commenting) is. He was so fast that it was a challenge for me to make tracks quick enough! What sets the AEA KU5A apart from the RCA BK-5A (or any other ribbon for that matter) is its polar pattern. Over the past few months I have used this mic on nearly everything. If these guys made a vacuum cleaner I would buy it, so when Sammy, Charlene, and Wes of AEA started talking to me about this new supercardioid mic they were making, I immediately threw my hat into the ring as a beta tester for this secret mic. Both unusual in their directionality for a ribbon mic. These are very, very nice sounding mics - for dirt cheap. Studio Projects has outdone itself with the B line of mics. I’m just wondering if I should buy another pair or go with the newer KU5A from AEA for a different flavor. I’ve had a pair of m160s for a long time and love them all over the place. As usual, the AEA folks have raised the bar yet again! The sound was present, immediate, and natural. The top end maintains a very articulate sound that can compliment an electric guitar, but really shines when capturing more intimate acoustic instru To quote Craig Anderton, "That's like asking me to pick your girlfriend." I met trumpet player Kris Johnson during a Black Milk session a few years back.
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