lisa lyon photos

Lyon proved an unusual collaborator for the artist who was working primarily with gay culture. Unlike most typical photographer and model relationships, Lyon was a collaborator rather than just a subject for Mapplethorpe. Mapplethorpe often spent days working on printing single images and making edits. In the series, Mapplethorpe depicts Lyon in various poses, settings, and attire. Their meeting allowed Mapplethorpe to continue exploring classical body ideals while broadening his view to the female form and sparked a photographic collaboration, which lasted six years. Learn about how to consign to an auction, and send us a note about your item. Portraying Lyon in a variety of settings, the images explore masculinity and femininity as social constructions, highlighting the diversity of beauty and desirability across cultures. Select 100 images or less to download. Having said “photographing women is not the experience I am seeking”, Mapplethorpe found Lyon an exception to his rule, providing him with an outlet to experiment with topics he was already interested in: identity, femininity and masculinity, and classical ideals of the human body. Born in Los Angeles, California in 1953. At the time, Mapplethorpe, who had garnered the attention of the art world for his explicit gay and sadomasochistic photographs, was searching for a new project so as not to be pinned down with a reputation for creating artworks only for their shock value. Lisa Lyon studied art at the University of California at Los Angeles. Of the project, Mapplethorpe stated “I wanted to do a book that had a mass audience…. This eventually led her into bodybuilding. Collect, curate and comment on your files. {{familyColorButtonText(}}, View {{carousel.total_number_of_results}} results. Language and societal norms shift, and cataloging of a collection is a continuous work in progress. To Mapplethorpe, Lyon encompassed a new concept of femininity with her striking face and curvaceous body, redefining the classic female form with more masculine musculature. This repository is populated with tens of thousands of assets and should be your first stop for asset selection. Black and White All Over: The Riddle of Classical Photography, Edward S. Curtis & Irving Penn Shine in Fall 2019 Classic & Contemporary Photographs, April 18, 2019, in Classic & Contemporary Photographs, Image Courtesy of the J. Paul Getty Museum, Collector’s Guide: Photo Editions Explained. © 2020 Getty Images. You can unsubscribe at any time. The merging of Mapplethorpe’s interest in form and Lyon’s view of herself gave way to an amazing body of work (approximately 200 photographs) making Lyon Mapplethorpe’s most photographed subject. He hired photographer Tom Baril in 1979 to print his work, allowing Mapplethorpe to maintain a great amount of control over the process. Lisa Lyon From IFBB women’s champion to becoming a Playboy model, Lisa Lyon broke through any limits set for female bodybuilders. Click here to request Getty Images Premium Access through IBM Creative Design Services. Your team's Premium Access agreement is expiring soon. Language and societal norms shift, and cataloging of a collection is a continuous work in progress. Too many images selected. In each image, Lyon’s physical strength plays as large a role as her beauty. View the profiles of people named Lisa Lyon. Once she took her clothes off, it was like seeing something from another planet.”. Lisa made history by winning the first ever IFBB championship for women and being the second female bodybuilder to appear in Playboy Here Jessica Hunter, our photographs and photobooks cataloguer, explores the pair’s artistic relationship. “I’d never seen anybody that looked like that before. Robert Mapplethorpe was an American photographer, known for his stylized black and white photography which treated his subjects with simultaneous sensitivity and bluntness. The 1980 publication of Mapplethorpe’s photographs of Lyon in ArtForum provided an opening for a book contract with Viking Press. The photography uses the contrast of the black-veiled and clothed body and dark background to isolate and emphasize Lyon’s arm and musculature, creating a commentary on classical idealized bodies, gender and our interaction with these terms. Despite the lukewarm reception of the series by contemporaries, these images continue to challenge our views of the human form, gender roles, and identity in striking black and white. The roles and identities Lyon and Mapplethorpe explored ranged from fashion-focused images of Lyon in couture clothing, seductive lingerie and dominatrix poses, body-building poses, lounged poses reminiscent of classical art, and a series of images that focus on specific aspects of Lyon’s body from isolated depictions of Lyon’s toned legs to her feminine facial features. The images, titles, and inscriptions are products of their time and the creator’s perspective and are presented here as documentation, not a reflection of Getty’s values. I didn’t see any point in just doing a book that would reach only photography people… I was attempting to make the best selling book ever made”. For this reason, the print quality of his work is spectacular in itself with rich tones and high contrast. The dramatic lighting and tight composition of the images are reminiscent of studies of classical sculpture’s idealized bodies. Audio: Lisa Lyon photos; This information is published from the Museum's collection database. {{collectionsDisplayName(searchView.appliedFilters)}}, {{searchText.groupByEventToggleImages()}}, {{searchText.groupByEventToggleEvents()}}. Robert Mapplethorpe met Lisa Lyon, the first World Women’s BodyBuilding Champion, at a party in SoHo in 1979 where her black rubber outfit caught Mapplethorpe’s eye. After that, Mapplethorpe and Lyon worked on photographs for the book over the following two years, culminating in an exhibition at Leo Castelli Gallery in 1983 where the book was released in conjunction with the show, which received mixed reviews for its depiction of feminine sexuality, possibly due to Mapplethorpe’s male (though queer) gaze.

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