pentatonic scale box patterns

One thing I’m struggling with is the idea of flatted 3rd and 7th in the minor pentatonic scale. I think it’s best to associate the chord form, which you should know, to the proper box patterns. If you arrived here first welcome - Click here to start with Box 1 here. Following on from your above explanation of the filled in dots being the root notes; if you look at several of the box samples e.g e form box pattern and g form box pattern. CAGED lets you play in a single position and attach it to the various chords in the progression. Similarly, the CAGED relationship is valid for major scales and minor scales too. Actually, when I’m playing never think about scales at all, I just play. This note can clash, but you can bend the minor third up a half step to a major third, which is a common tactic by blues guitarists. But maybe I AM doing something wrong. Beginner Scales one. Beginner Scales Three. Are there other examples of diagonal patterns or do the above ones work for any key? You can move the pattern around too. The awesome part is that they contain the same note intervals (with differing roots), so the patterns are the same. The sample scale is given in G and all the red notes refers to root note. There are a few reasons that the penatonic scales are the short cut for the scales. With each scale I have discussed my preferences for fingering the scale. Musicians often come up with ways to play effortlessly. Why would would you use minor pentatonic scales in a three chord blues song with three major chords? This is the only site that does this. In practice, many people include it. The black notes are the root notes, in this case the C note. To form the C minor pentatonic scale, you would take the 1 = C, b3 = Eb, 4 = F, 5 = G, b7 = Bb. Now I’m getting it! For example, over C Major you could play the C Major pentatonic scale. Also seventh note on the g form box is also being played on the first fret of the g string and is therefore a g#. Once you know the pentatonic scales, you are ready to play the blues. If you know how to move single-octave box patterns around the fretboard,  you can use these two patterns to simplify the learning process. Learn the major and minor pentatonic scales, their patterns, when to use them, and why they’re the scale shortcut. In the case of the E minor pentatonic box, the first fret of the pattern should be the open strings (or the 12th fret if you want to play an octave up). In the key of C, you would play the C Major pentatonic scale or the A minor pentatonic scale. You can also incorporate some blues licks. All the notes should sound fine. Thank you. Sorry for the delayed reply. Use the minor pentatonic scale over minor chords. I think the diagonal patterns should be the standard way these scales are illustrated. Pentatonic Major keys. AP-010 How do I select scales for guitar solos? In this case, the minor pentatonic scale contains the minor seventh, so that note sounds great. Once again, bending the minor third up to the major third is a nice bluesy sound. That root note would make this an A minor pentatonic scale. This site requires Javascript to function properly - please enable Javascript in your browser, How to play intervals on guitar fretboard lesson. I give the shapes descriptive names because that makes them stick better. Also, you can bend the flat note up a half step to put it “in key”. For now try the bends in A minor pentatonic using the basic box shape. Because the root note changes, you’ll also notice that the “chord form” changes too. Some people avoid teaching CAGED for these boxes to avoid confusion. AP-004 What is the Decorative Ring Around the Sound Hole of an Acoustic Guitar? Thank you for the question. It also will improve your ability to find intervals on guitar fretboard. Just remember that some notes will sound better than others depending on current chord. Since the chords change, you can follow my rules below and be safe. I highly recommend that you check out my 12 bar blues lesson to start improvising. To form the C Major pentatonic scale, you would take the 1 = C, 2 = D, 3 = E, 5 = G, 6 = A. Minor pentatonic removes 2 and 6 leaving E G# A B D#. You can throw in hammer-ons and pull-offs and blue notes as desired. Many blues songs use dominant chords for the I, IV, and V chords, which all have a major third in them. chord diagrams, fretboard patterns, and rhythm charts. Notice that the root note location changes. Take a look at these two popular pentatonic box patterns. I’ve been calling the method “waterfall”. Yes, you can, but you should be mindful of the notes you are playing.

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