You will receive a verification email shortly. The Tremonti really can sound huge and the bridge pickup is well voiced to send the mildest of amps into overdrive. For a company that, from its inception, has been constantly criticised for the price of its instruments, this Standard almost feels like an impulse buy. The term ‘Standard’ might be applied to the most coveted glued-neck guitar there is but in traditional PRS lexicography, ‘Standard’ means without a maple top to differentiate it from the Custom. There’s little doubt that most of us prefer our single-cuts (PRS or other brands) in a more classic hardtail format yet it gives the Tremonti considerable appeal. The main differences - physical shape aside - to the Standard are a thinner depthed ‘wide thin’ neck profile, the pickups and the four-control layout in the diamond style (as opposed to Gibson) as featured on the first PRS Singlecuts that appeared in 2000. Receive mail from us on behalf of our trusted partners or sponsors? Thank you for signing up to Musicradar. While the Singlecut Trem isn’t a new style for PRS (Mark Tremonti currently has his SE Standard and Custom, as well as the Tremonti Signature in the Core range), this new Santana model adds two frets, like the 2019 double-cut SE … All rights reserved. It's a powerhouse that, like the Santana, has plenty of midrange poke - it loves gain but still retains a bite. WiredGuitarist. Please refresh the page and try again. © There’s plenty of almost cocked wah midrange clout from the bridge that adds juice and sizzle to your front-end, combined with a heft in the low-end that any good single-cut guitar should posses. There’s extra beef to the Tremonti and it’s not just that weight. SE PRS … However, with no options and just one colour, what you see is what you get. The Mark Tremonti model is a unique piece and is the only Singlecut with a vibrato (with the exception of the Bigsby-equipped S2 Starla) anywhere in the PRS lineup. England and Wales company registration number 2008885. Who is the best online music tech personality of 2020? BA1 1UA. tjon901 's review " Budget Mark Tremonti Signature PRS " 4 Mark Tremonti is the Alter Bridge/Creed guitarist and he has been a pretty loyal PRS player for a few years now. Receive mail from us on behalf of our trusted partners or sponsors? By comparison our non-Standard Tremonti is more normal at 8.8lb while the Santana Standard weighs in at 7.7lb. Besides the point i think that this lightweight Paul reed smith Tremonti se is a beautiful guitar comes in platinum silver and the original tremonti … November 20, 2016. So, while the maple caps are pretty similar in thickness (on average 13.7mm), the Tremonti's additional depth comes from the extra approximately 9mm of its mahogany back. Today, while there are no Standards in the USA Core lineup, they form a major part of the more rock ’n’ roll S2 line where these all-mahogany guitars are also ID’d by classic dot inlays rather than the trademark PRS birds. But it has a duality that lies in its much more vintage-y neck humbucker: with a little shimmer from the vibrato, it can sound extremely retro and less rock. We tightened the tuner buttons too which, while not changing the function, really does firm things up. Assuming the over-heavy Tremonti is a blip and not indicative of all the production models, this Standard not only gets you on the PRS ladder, but for existing PRS fans it’s a good knockabout guitar that won’t make you blub inconsolably when it gets dinged in action. Visit our corporate site. Besides the point i think that this lightweight Paul reed smith Tremonti se is a beautiful guitar comes in platinum silver and the original tremonti Black. Yes, our sample was a little overweight, but with such a strong voice, that perceived 'minus' actually seems to add to the powerful delivery. It's weighty; no coil-splits or hard-tail option; not everyone will enjoy the control layout. The Tremonti has arguably the most Gibson-esque voice, certainly in the neck position where the extra lows created by the construction bring in a quite familiar sound that's at once bluesy and jazzy and - surprisingly perhaps - old-school: 'classic' might be a better world.
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